July 11, 2019

 

 

 

In 64, ‘How Sweet It Is’, on Stateside,

for Marvin Gaye, reached No.49.

And in 86, ‘Why Can’t This Be Love’,

on Warner Brothers, took Van Halen, to the No.8 line.

 

In 02, ‘How You Remind Me (import)’, on Roadrunner,

reached No.65, for Canadian group – Nickelback.

And in 02, (one month later), ‘How You Remind Me’,

became a gold-selling UK No.4 & US No.1 track.

 

In 72,’How Can I Be Sure’, on Bell,

saw David Cassidy, on the No.1 line.

And in 06, ‘Why Won’t You Give Me Your Love’,

on Deltasonic, gave The Zutons, their first No.9.

 

In 53, ‘Why Don’t You Believe In Me’, on MGM,

for Joni James – a US No.1 & UK No.11.

And in 98, ‘How Do I Live’, on Curb – a first hit,

and Platinum-seller, for LeAnn Rimes – peaked at No.7.

 

In 76, ‘Howzat’, on Epic, reached No.4,

for Australian group, Sherbet – their only UK hit.

And in 99, ‘Why Does It Always Rain On Me’,

on Independiente, gave Travis, a Top 10 fit.

 

In 77, Leo Sayer, on Chrysalis,

reached No.10 with, ‘How Much Love’.

And in 94, ‘Why Don’t You Take Me’, on Boy’s Own,

peaked at No.30, for One Dove.

 

In 81, ‘Why Do Fools Fall In Love’, on Capitol,

gave Diana Ross, a Top 4.

And in 96, ‘How Bizarre’, was a Top 5,

for Canadian duo – OMC, on Polydor.

 

In 74, ‘How Long’, on Anchor –

a Top 20, and only UK hit for Ace.

And in 05, ‘Why’, on Data,

found DJ Sammy, with a No.7 place.

 

In 90, ‘How Am I Supposed To Live Without You’,

on CBS, for Michael Bolton – a US No.1 & UK No.3.

And in 2000, on Epic, reaching No.38,

was Macy Gray, with ‘Why Didn’t You Call Me’.

 

In 60, Adam Faith, reached No.4,

on Parlophone, with ‘How About That’.

And in 93, ‘Why Can’t I Wake Up With You’,

for Take That, on RCA, at No.2, sat.

 

In 97, ‘How High’, on Beggars Banquet,

gave The Charlatans, a No.6 view.

And in 99, ‘Why Don’t You Get A Job’,

on Columbia, saw Offspring, with a Top 2.

 

In 66, ‘How Sweet It Is’, on Tamla Motown,

took Junior Walker & The All Stars, to No.22.

And in 91, Texas, on Mercury,

reached No.66, with ‘Why Believe In You’.

 

In 85, ‘How Soon Is Now’, for The Smiths,

climbed to No.16, on Rough Trade.

And in 99, ‘Why Does My Heart Feel So Bad’,

on Mute, found Moby, also at No.16, in the hit parade.

 

In 64, The Mojos, on Decca,

peaked at No.25, with ‘Why Not Tonight’,

And in 86, ‘How Will I Know’, on Arista,

found Whitney Houston, with a US No.1 & UK Top 3 flight.

 

In 77, ‘How Deep Is Your Love’, on RSO,

for The Bee Gees – a Gold-seller, and US No.1 & UK No.3.

And in 05, on Warner Brothers – Garbage,

peaked at No.7, with ‘Why Do You Love Me’.

 

In 73, ‘Why Can’t We Live Together’, on Mojo,

gave Timmy Thomas, a No.12 success.

And in 81, ‘How ‘Bout Us’, peaked at No.5,

for Champaign, on CBS.

 

 

Written by Harriet Blackbury

 

 

 

 

 

In 76, ‘Under The Moon Of Love’ – a gold-selling No.1,

for Showaddywaddy, on Bell.

And in 80, ‘Over You’, on Polydor,

gave Roxy Music, a Top 5 sell.

 

In 66, ‘Over Under Sideways Down’, on Columbia,

found The Yardbirds, enjoying the Top 10 scene.

And in 92, ‘Under The Bridge’, on Warner Brothers,

for Red Hot Chili Peppers, peaked at No.13.

 

In 76, ‘Under One Roof’, on State,

gave The Rubettes, a Top 40 fix.

And in 2000, ‘Overload’, on London,

became the first hit for The Sugarbabes, at No.6.

 

In 99, ‘Over You’, on Virgin,

for Justin, reached No.11.

And in 05, ‘Under The Tree’, on Angel’,

for The Water Babies, peaked at No.27.

 

In 86, ‘Over The Hill And Far Away’, on 10Ten,

for Gary Moore, was a Top 20.

And in 03, ‘Under The Thumb’, on Polydor,

gave Amy Studt, a Top 10 entry.

 

In 81, ‘Under Pressure’, on EMI,

saw Queen & David Bowie, with a No.1 place.

And in 95, ‘Not Over Yet’, on Perfecto,

reached No.6, for Grace.

 

In 83, ‘Down Under’, on Epic,

gave Men At Work, a gold-selling US & UK No.1.

And also in 83, ‘Overkill’, on Epic,

for Men At Work, peaked at No.21.

 

In 81, ‘Under Your Thumb’, on Polydor,

was a Top 3, for Godley & Creme.

And in 86, ‘Overjoyed’, on Motown,

for Stevie Wonder, reached No.17.

 

In 05, ‘Over’, on Universal,

for Lindsay Lohan, made the No.27 line.

Also in 05, ‘Under The Weather’, on Relentless,

for KT Tunstall, peaked at No.39.

 

In 64, ‘Under The Boardwalk’, on Atlantic,

found The Drifters, on the No.45 ledge.

And in 93, Almighty, reached No.38,

on Polydor, with ‘Over The Edge’.

 

 

Written by Harriet Blackbury.

 

 

July 9, 2019

 

 

 

In 79, ‘Gangsters’, on 2 Tone – a Silver-seller,

for The Specials, reached No.6.

Also in 79, ‘A Message To You Rudy’/’Nite Club’, also a Silver-seller,

featuring Rico – a Top 10, next in this mix.

 

In 80, ‘The Special A.K.A.Live! EP’, another silver-seller,

on 2 Tone, spent two weeks at No.1.

And next came ‘Rat Race’/’Rude Buoys Outa Jail’,

on 2 Tone – with a Top 5 run.

 

Their third hit of 80 – reaching No.6,

was ‘Stereotype’/’International Jet Set’, on 2 Tone.

And finally, in 80, ‘Do Nothing’/’Maggie’s Farm’,

became a Silver-seller, and the No.4 spot – did own.

 

In 81, ‘Ghost Town’ – a Gold-seller, for three weeks at No.1,

and in 82, ‘The Boiler’ – peaked at No.35.

In 83, ‘Racist Friends’/’Bright Lights’ – a Top 6.

And in 84, ‘Nelson Mandela’, at No.9, did arrive.

 

Also in 84, ‘What I Like Most About You Is Your Girlfriend’,

on 2 Tone – at No.51, the penultimate hit in this mix.

And in 96, ‘Hypocrite’, on Kuff,

for The Specials, reached No.66 

 

 

 

July 8, 2019

 

 

 

In 76, ‘More More More’, on Buddah,

for Andrea True Connection, reached No.5.

And in 01, ‘More Than That’, peaked at No.12,

for The Backstreet Boys, on Jive.

 

In 66, ‘The More I See You’, on Pye International,

gave Chris Montez, a Top 3 say.

And in 77, ‘More Than A Lover’, peaked at No.27,

for Bonnie Tyler, on RCA.

 

In 77, ‘More Than A Feeling’, on Epic,

for Boston, peaked at No.22.

And in 94,’The More I Get The More I Want’, on X-clusive,

gave KWS featuring Teddy Pendergrass, a No.35 view.

 

In 78, ‘More Than A Woman’, on Capitol,

saw Tavares enjoy a Top 7 scene.

And in 90, ‘More’, on Merciful Release,

for Sisters Of Mercy, reached No.14.

 

In 86, ‘More Than Physical’, on London,

took Bananarama, to No.41.

And in 94, ‘More To Love’, on Deconstruction,

saw Volcano, with a No.32, won.

 

In 78, ‘More Like The Movies’, on Capitol,

gave Dr Hook, a No.14 reply.

And in 91, ‘More To Life’, made No.23,

for Cliff Richard, on EMI.

 

In 90, ‘More Than You Know’, on CBS,

for Martika – a No.15, safe bet.

And in 94, ‘Morrissey, on Parlophone, was at No.8,

with ‘The More You Ignore Me The Closer I Get’.

 

In 70, ‘More Good Old Rock ‘N Roll’, on Columbia,

made No.34, for The Dave Clark Five’.

And In 84, ‘The More You Live, The More You Love’, was at No.26,

for A Flock Of Seagulls, on Jive.

 

In 98, ‘Travis, peaked at No.16,

on Independiente with ‘More Than Us EP’.

And in 99, ‘More Love’, on Universal,

took Next Of Kin, to No.33.

 

In 82, ‘More Than This’, on EG Roxy,

for Roxy Music, reached No.6.

And in 91, ‘More Than Words’, on A & M,

at No.2, for Extreme – last in this mix.

 

 

July 5, 2019

 

 

 

In 81, ‘Ceremony’, on Factory,

for New Order, reached No.34.

And still in 81, ‘Procession’/’Everything’s Gone Green’ –

at No.38 – their second hit, through the factory door.

 

In 82, ‘Temptation’, peaked at No.29,

and in 83, ‘Blue Monday’ – twice a hit, at No.12 & No.9.

And finally in 83, came ‘Confusion’, at No.12 –

all these hits still carrying the Factory sign.

 

In 84, ‘Thieves Like Us’, reached No.18,

And in 85, peaking at No.46, was ‘The Perfect Kiss’.

Ending 85 – still on Factory’  -‘Sub-Culture’, made No.63,

and opening 86 – ‘Shellshock’, at No.28 – next on this list.

 

Three more chart entries followed in 86,

with ‘State Of The Nation’, in the Top 30 mix.

And at No.54, ‘The Peel Sessions (1st June 82)’, on Strange Fruit,

and back on Factory – ‘Bizarre Love Triangle’, made No.56.

 

In 87, ‘True Faith’, reached No.4,

and at No.20, was, ‘Touched By The Hand Of God’.

In 88, Blue Monday (Remix)’, made the Top 3,

And ‘Fine Time’, got the No.11 nod.

 

In 89, ‘Round And Round’, made No.21,

and ‘Run 2’, also on Factory – a No.49 slot, won.

And in 90, ‘World In Motion’, on Factory/MCA,

for EnglandNewOrder – a gold-selling No.1.

 

In 93, ‘Regret’, a No.4, on Centredate,

and ‘Ruined In A Day’, peaked at No.22.

And still on Centredate, ‘World (The Price Of Love) – made No.13,

and ‘Spooky’, also enjoyed a No.22 view.

 

In 94,’True Faith (Remix), reached No.9.

And in 95, ‘Nineteen 63’ – now on London – rose to No.21.

Also in 95, ‘Blue Monday (2nd Remix), returned at No.17.

And in 01, still on London, ‘Crystal’, at No.8, shone.

 

Ending 01, ’60 Miles An Hour’, reached No.29,

and in 02, ‘Here To Stay’, peaked at No.15.

And still in 02, on London, ‘World In Motion’,

for EnglandNewOrder – at No.43, was seen.

 

Ending 02, ‘Confusion’, on the Whacked label,

for Arthur Baker VS New Order, made No.64.

And in 05, ‘Krafty’, on London, reached No.8,

and ‘Jetstream’, featuring Ana Mantronic, made a Top 20 score.

 

Finally, in 05, ‘Waiting For The Sirens’ Call’,

on London, reached No.21.

And in 06, ‘Blue Monday’, on New State,

peaked at No.73 – with an army of fans, rightly won.

 

 

Written by Harriet Blackbury

 

 

 

 

July 4, 2019

 

 

 

In 66, ‘Girl’, on Decca,

for St Louis Union, peaked at No.11.

And in 93, ‘Girl Of My Best Friend’, on Virgin,

for Bryan Ferry, reached No.57.

 

In 64, ‘Girl Don’t Come’, on Pye,

gave Sandie Shaw, a Top 3.

And in 02, ‘Girl Talk’, on Arista,

became a Top 30 for TLC.

 

In 99, ‘Summer Girls’, on Logic,

for Lyte Funkie Ones – a No.16, was to be.

And in 2000, still on logic,

reaching No.6, was their ‘Girl On TV’.

 

In 81, ‘Girls On Film’, on EMI,

for Duran Duran – a Top 5 entry.

And in 98, ‘Girls Night Out’, on Wildstar,

for Alda, reached the Top 20.

 

In 61, ‘A Girl Like You’, on Columbia,

saw Cliff Richard & The Shadows, at No.3.

And in 2000, ‘Girls Like US’, on Ministry Of Sound,

was at No.7, for B-15 Project Featuring Chrissy D & Lady Gee.

 

In 82, ‘Girl Crazy’, on Rak,

took Hot Chocolate to No.7.

And in 95, ‘Girl From Mars’, on Infectious,

for Ash, reached No.11.

 

In 77, ‘Mull Of Kintyre’/’Girls’ from School’, on Parlophone,

spent 9 weeks at No.1, for Paul McCartney & Wings.

And in 82, ‘The Girl Is Mine’, on Epic – a No.8,

from Michael Jackson with Paul McCartney – joy brings.

 

In 84, ‘The Girl From Ipanema’, on Verve,

gave Astrud Gilberto, a No. 55 place.

And in 03, ‘Girl In The Moon’, on Mercury,

found Darius, at No.21, in the chart race.

 

In 77, ‘The Girl Can’t Help It’, on Magnet,

reached to No.6 for Darts.

And in 84, ‘Girls Just Wanna Have Fun’, on Portrait,

at No.2, found Cyndi Lauper, winning hearts.

 

In 96, ‘Girl Power’, on Food,

reached No.25 for Shampoo.

And in 07, ‘Girlfriend’, on Arista,

for Avril Lavigne – a US No.1 & UK No.2.

 

In 75, ‘Girls’, on All Platinum,

gave Moments & Whatnauts, a Top 3 heaven.

And in 05, ‘Girl Tonite’, on Atlantic,

took Twista Featuring Trey Songz, to No.47.

 

In 85, ‘Girlie Girlie, on Winner,

gave Sophia George, a No.7 chase.

And in 05, ‘Girl’, on Columbia,

saw Destiny’s Child with a No.6 ace.

 

In 90, ‘Girl To Girl’, on Fourth Broadway,

for The 49ers, hit the No.31 mark.

And in 07, ‘Girls Who Play Guitars’, on Warp,

reached No.31, for Maximo Park.

 

In 87, ‘Girlfriend In A Coma’, peaked at No.12,

for The Smiths, on Rough Trade.

And in 07, ‘The Girls’, on Sony,

saw Calvin Harris join the Top 3 cavalcade.

 

In 88, Milli Vanilli, on Cooltempo,

reached the Top 3, with ‘Girl You Know It’s True’,

And in 89, their ‘Girl I’m Gonna Miss You’,

(still on Cooltempo), reached No.2.

 

In 79, ‘Girls Talk’, reached No.4,

for Dave Edmunds, on Swansong.

And in 91, ‘The Girl I Used To Know’, on Parlophone,

peaked at No.48, for Brother Beyond.

 

.

Written by Harriet Blackbury

 

July 3, 2019

 

 

In 81, ‘Water On Glass’/’Boys’, on Rak,

for Kim Wilde, peaked at No.11.

And in 02, ‘Boys’, on Jive, gave Britney Spears

featuring Pharrell Williams, a No.7.

 

In 96, ‘The Boy With The X-Ray Eyes, on EMI,

reached No.32, for Babylon Zoo.

And in 98, ‘The Boy Is Mine’, on Atlantic,

gave Brandy & Monica, a Top 2.

 

In 69, ‘A Boy Named Sue’, gave Johnny Cash,

a Top 4, on CBS.

And in 87, ‘The Boy From Nowhere’, on Epic,

saw Tom Jones, with a Top 2 success.

 

In 85, ‘The Boy With The Thorn In His Side’,

was at No.23, for The Smiths, on Rough Trade.

And in 99, ‘Boy You Knock Me Out’, on Mjj,

for Tatyana Ali featuring Will Smith – the Top 3, made.

 

In 64, ‘Boys Cry’, on Fontana,

reached No.8 for Eden Kane.

And in 78, ‘Boys From New York City, on Magnet,

for ‘Darts’ – a Top 2 refrain.

 

In 95, Morrissey, on RCA Victor,

made No.36 with ‘The Boy Racer’.

And in 03, ‘The Boys Of Summer’, on Data,

saw DJ Sammy, with a No.2 chaser.

 

In 95, ‘Boy I Gotta Have You’, on Dome,

for Rio & Mars, reached No.43.

And in 96, ‘Boy I Gotta Have You’, now on Feverpitch-

for Rio & Mars, a No 46, proved to be.

 

In 79, ‘Boy Oh Boy’, on Rak,

for Racey, peaked at No.22.

And in 03, Mariah Carey featuring Cam’ron,

on Def Jam, reached No,7, with ‘Boy ( I Need You )’.

 

In 76, ‘The Boys Are Back In Town’,

gave Thin Lizzy, a No.8, on Vertigo.

And in 08, ‘The Boy Does Nothing’, on Asylum,

gave Alesha Dixon, a Top 5 show.

 

In 68, ‘Boy’, on Columbia,

for Lulu, peaked at No.15.

And in 79, ‘Boys Keep Swingin’, on RCA,

saw David Bowie, hit the No.7 scene.

 

In 76, ‘London Boys’, gave T Rex,

a Top 40, on EMI.

And in 86, The Cure, reached No.22,

on Fiction, with ‘Boys Don’t Cry’.

 

In 96, ‘Boy Wonder’, on Boiler House,

for Speedy, at No.56, was to be.

And in 05, ‘Boys Will Be Boys’, on B Unique WEA,

gave Ordinary Boys, a Top 3.

 

In 97, ‘The Boy Done Good’, on Cooking Vinyl,

gave Billy Bragg, a No.55 grip.

And in 06, ‘Boy From School’, on EMI,

became a Top 4, for Hot Chip.

 

In 2000, Jamelia, on Parlophone Rhythm,

reached No.42, with ‘Boy Next Door’.

And in 01, ‘Boy Is Crying’, on Mantra,

for Saint Etienne, peaked at No.34.

 

In 77, ‘Oh Boy ( The Mood I’m In )’, made No.8,

for Brotherhood Of Man, on Pye.

And in 86, ‘The Boy In The Bubble’, on Warner Brothers,

gave Paul Simon, a No.2, high. 

 

In 06, ‘The Boy Who Ran Away’, reached No.23,

for The Mystery Jets, on 679 679.

And in 84, ‘The Boy Who Came Back’, on Some Bizarre,

saw Marc Almond reach the No.52 line.

 

 

written by Harriet Blackbury

 

 

July 1, 2019

 

 

In 86, ‘Always The Sun’, on Epic –

for The Stranglers made the Top 30 scene.

And in 94, ‘Forever Now’, on RCA,

for Level 42, reached No.19

 

In 92, ‘Always The Last To Know’, on A & M,

was at No.13, for Del Amitri.

And in 96, ‘Always Be My Baby’, on Columbia –

a gold – seller, for Mariah Carey, made the Top 3.

 

In 78, ‘Forever Autumn’, on CBS,

gave Justin Hayward,  a Top 5.

And in 87, ‘Always On My Mind’, on Parlophone – a gold-seller,

for The Pet Shop Boys – at No.1, for 4 weeks, did survive.

 

In 89, ‘Forever Your Girl’, on Siren,

for Paula Abdul, peaked at No.24.

And in 08, ‘Always Where I Need To Be’, on Virgin,

gave The Kooks, a Top 3 score.

 

In 73, ‘Forever’ on Harvest,

reached No.8, for Roy Wood.

And in 09, ‘Forever Is Over’, on Fascination,

for The Saturdays, at No.2, stood.

 

In 94, ‘Always’, peaked at No.2,

for Bon Jovi, on Jambco.

And in 96, ‘Forever Love’, on RCA –

a No.1, for Gary Barlow.

 

In 86, ‘(Forever) Live and Die’, on Virgin,

reached No.11 for Orchestral Manoevres In The Dark.

And in 96, Belinda Carlisle, on Chrysalis,

peaked at No.8, with ‘Always Breaking My Heart’

 

In 76, ‘Forever And Ever’, on Bell –

a gold-seller, at No.1 for Slik.

And in 01, ‘Always Come Back To Your Love’, on Wild Card,

for Samantha Mumba – a Top 3 pick.

 

In 02, ‘Always On Time’, on Def Jam,

gave JA Rule featuring Ashanti, a US No.1 & UK No.6.

And in 95, ‘Always And Forever’, on Epic –

a Top 20, for Luther Vandross, ends this mix.

 

Written by Harriet Blackbury

 

 

June 29, 2019

 

 

 

In 64, The Zombies, on Decca,

had a No.12, with ‘She’s Not There’.

And in 87, ‘I Found Someone’, on Geffen,

was a Top 5 hit for Cher.

 

In 92, ‘I Found Heaven’, gave Take That,

a No.15, on RCA.

And in 94, ‘Lost In America’, on Epic,

found Alice Cooper with a No.22 play.

 

In 79, ‘Lost In Music’, on Cotillion,

was a Top 4, for Sister Sledge.

And in 07, ‘I Found You’, on Positive,

gave Axwell featuring Max C, a No.6 edge.

 

In 02, ‘When I Lost You’, reached No.6,

for Sarah Whitmore, on RCA.

And in 09, ‘You Found Me’, on Epic,

reached to No.35, for Fray.

 

In 78, ‘Now That We’ve Found Love’, on Island,

for Third World, reached the Top 10.

And in 96, Catatonia, on Blanco Y Negro,

gave ‘Lost Cat’, a No.41 den.

 

In 76, ‘Lost In France’, on RCA,

for Bonnie Tyler, made a No.6 stand.

And in 87, ‘I Found Love’, on Master Mix,

peaked at No.7, for The Fatback Band.

 

In 77, ‘Lost Without Your Love’, on Elektra,

was a No.27, for Bread.

And in 98, ‘Lost In Space’, on Polydor,

for The Lighthouse Family, up to No.6, fled.

 

In 95, ‘Now I’ve Found You’, on Parlophone,

gave Sean Maguire, a No.22 vote.

And in 97, ‘Lost & Found, on V C Recordings,

reached No.59, for D’Note.

 

In 95, ‘I Found Love’/’Take A Toke’, on Columbia,

gave C & C Music Factory featuring Zelma Davis, a No.26 raid.

And in 04, ‘Lost In A Melody’/’Wanderlust’, was at No.28,

for The Delays, on Rough Trade.

 

In 74, ‘I Found Sunshine’, on Brunswick,

for The Chi-lites – a No.35 leader.

And in 06, ‘Lost & Found’, turned up at No.12,

on Echo label,  for Feeder.

 

 

June 27, 2019

 

 

In 90, ‘Kingston Town’ on DEP International,

for UB40, peaked at No.4.

And in 95, ‘Country House’, on Food label,

for Blur, made a No.1 score.

 

In 83, ‘Uptown Girl’, a gold-seller, on CBS,

gave Billy Joel a No.1, with style.

And in 89, ‘The Downtown Lights’, on Linn,

reached No.67 for Blue Nile.

 

In 63, ‘He’s In Town’, on Piccadilly’,

gave The Rocking Berries, a Top 3 stand.

And in 01, ‘Country Roads’ on Liberty,

made No.7, for Hermes House Band.

 

In 80, ‘Talk Of The Town’, reached No.8,

for The Pretenders, on Real.

And in 82, ‘A Town Called Malice’/’Precious’, on Polydor,

gave The Jam, a No.1 deal.

 

In 61, ‘Wild In The Country’/’I Feel So Bad’,

gave Elvis Presley, a Top 4, on RCA.

And in 09, ‘Run This Town’, on Roc Nation,

gave Jay-Z featuring Rihanna & Kanye West, a No.1 say.

 

In 74, ‘Costafine Town’, on Dark Horse,

for Splinter, at No.17, arrived.

And In 06, ‘Country Girl’, on Columbia,

for Primal Scream, reached the Top 5.

 

In 62, ‘A Town Without Pity’, reached No.32,

for Gene Pitney, on HMV.

And in 06, ‘A Town Called Hypocrisy’, on Visible Noise,

took Lostprophets to No.23.

 

In 66, ‘In The Country’, on Columbia,

for Cliff Richard & The Shadows – enjoyed a No.6 scene.

And in 92, ‘Your Town’, on Columbia,

for Deacon Blue, peaked at No.14.

 

In 69, ‘Ruby, Don’t Take Your Love To Town’, on Reprise,

saw Kenny Rogers & The First Edition, with a No.2 cry.

And in 91, ‘My Town’, gave Glass Tiger,

a No.33, on EMI.

 

In 93, ‘My Country’, on Columbia,

for Midnight Oil, reached No.66.

And in 69, ‘Durham Town (The Leavin)’, also on Columbia,

at No.12, for Roger Whittaker – last on this mix.

 

 

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